![]() To make our choices for this guide we asked the working artists who contribute reviews and tutorials to Creative Bloq to recommend the best sketchbook brands based on their experience. How we tested the best sketchbooks for this guide Cotton paper, sometimes called 'rag paper' is better than wood pulp paper for watercolours, especially if you do a lot of scrubbing and masking, but it is usually more expensive. Ideally, you will want heavier paper than tat to avid having to stretch the paper beforehand. Higher-tooth papers are good for sketching with charcoal, pastels and pencils while low-tooth or smooth paper is good for ink and pen.įor watercolours, you will generally want a paper of at least 300 gsm / 140 lb. This describes the surface of the paper, with high tooth having more texture and low tooth being smoother. However, it doesn't offer the most satisfying feel and isn't the most practical to carry around and keep your sketches.Īnd then there's tooth. For very rough sketches, really any kind of paper can suffice, even office printer paper, which tends to have a weight of around 80 gsm. A weight of around 100-130 gsm / 70-80 lb is generally suitable for finished pieces in a range of media. Paper with a weight of 75-90 gsm / 50-60 lb is generally heavy enough for sketching with pencils, pastels or charcoal but too thin for ink or markers, which could bleed through it. Generally, the heavier, the higher the quality of the paper. Most of the best sketchbook brands will display the grams (or lb) per square metre of their paper. If you're new to sketching, you may be initially confused by some of the terminology for types of paper in sketchbooks. Which is the best type of paper for sketching? Large-format sketchbooks will offer more space and freedom on the page. For sketching on the move, a smaller hardcover sketchbook is handy as it fits into a bag or pocket and protects your work. A spiral-bound sketchbook will lie flat when you work on it, whereas some hardbound sketchbooks can be more tricky to use. The binding of the sketchbook is also worth considering. Pencils and inks work best with smooth paper, whereas charcoal and pastels are well suited to paper with more bite, as the pits and grooves hold pigment. Different paper is different for different mediums: you'll need thick, heavy paper for markers and watercolours, and lighter paper for dry media. You'll also need to consider the 'tooth' or 'texture' of the paper. The best sketchbook can be different for each artist. How do I choose the best sketchbook for me?
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